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Nietzsche, Aesthetics and Modernity

Nietzsche, Aesthetics and Modernity

Nietzsche, Aesthetics and Modernity

Matthew Rampley, Surrey Institute of Art and Design
November 1999
Available
Hardback
9780521651554

    Nietzsche, Aesthetics and Modernity analyzes Nietzsche's response to the aesthetic tradition, tracing in particular the complex relationship between the work and thought of Nietzsche, Kant, and Hegel. Focusing in particular on the critical role of negation and sublimity in Nietzsche's account of art, it explores his confrontation with modernity and his attempt to posit a revitalized artistic practice as the countermovement to modern nihilism. It also highlights the extent to which Nietzsche counters the culture of his own time with a dialectical notion of aesthetic interpretation and practice.

    • Offers an unorthodox interpretation of Nietzsche, emphasizing the dialectical aspects of his thought
    • Examines frequently overlooked comments by Nietzsche on a wide range of composers, artists and writers, such as Brahms, Schumann, Raphael, Delacroix, Flaubert, Cervantes and Dostoyevsky
    • Strong cross-over interest between art and philosophy

    Reviews & endorsements

    "Rampley's contribution constitutes a well-articulated summary of major ideas and insights by Nietzsche that highlight, and earnestly seek to resolve, the problem of modernity with pertinent parallels to and critiques of influential thinkers of the 20th century both within and outside of the German tradition." German Studies Review 2002

    "A full and persuasive reassessment of Nietzsche's thinking on the aesthetic." CAA Reviews

    See more reviews

    Product details

    November 1999
    Hardback
    9780521651554
    300 pages
    229 × 152 × 21 mm
    0.56kg
    Available

    Table of Contents

    • List of abbreviations
    • Acknowledgements
    • Introduction
    • 1. Truth, interpretation and the dialectic of nihilism
    • 2. Nietzsche's subject: retrieving the repressed
    • 3. Laughter and sublimity: reading The Birth of Tragedy
    • 4. Wagner, modernity and the problem of transcendence
    • 5. Memory, history and eternal recurrence: the aesthetics of time
    • 6. Towards a physiological aesthetic
    • 7. Art, truth and woman: the raging discordance
    • 8. Overcoming nihilism: art, modernity and beyond
    • Notes
    • References
    • Index.
      Author
    • Matthew Rampley , University of Birmingham