The Cambridge Companion to the Rolling Stones
The Cambridge Companion to the Rolling Stones
The Rolling Stones are one of the most influential, prolific, and enduring Rock and Roll bands in the history of music. This groundbreaking, specifically commissioned collection of essays provides the first dedicated academic overview of the music, career, influences, history, and cultural impact of the Rolling Stones. Shining a light on the many communities and sources of knowledge about the group, this Companion brings together essays by musicologists, ethnomusicologists, players, film scholars, and filmmakers into a single volume intended to stimulate fresh thinking about the group as they vault well over the mid-century of their career. Threaded throughout these essays are album- and song-oriented discussions of the landmark recordings of the group and their influence. Exploring new issues about sound, culture, media representation, the influence of world music, fan communities, group personnel, and the importance of their revival post-1989, this collection greatly expands our understanding of their music.
- The first collection of essays to be commissioned from leading scholars that focuses entirely on the musical, historical, cultural and media impact of the Rolling Stones
- New research on the group is presented along with fresh perspectives on the core recordings, influences, impact and historical contexts
- Provides a valuable resource for many fields of study that focus on the history of rock, the aesthetics of pop, and the Rolling Stones
Reviews & endorsements
'An intriguing prospect for serious Stones fans.' Ian Fortnam, Classic Rock
'A bold attempt to up the intellectual ante around Stones criticism.' Jim Wirth, Uncut
'There's an entertaining look at a clutch of Stones country songs … a decent reassessment of their psychedelic period … and a welcome upgrade for Brian Jones as founder, world music maverick and the group's true dandy.' Neil Spencer, The Observer
'… there are some interesting theories as the profs examine how psychedelia’s aftershock resonated after Their Satanic Majesties and county music infiltrated, giving songs hatched from Keith’s gut-level urges and relentless margination a depth even he might not have imagined …' Kris Needs, Record Collector
‘… The Cambridge Companion to the Rolling Stones constitutes a balanced work, which should be welcomed in that it inaugurates a vast field of study and research, that of Rolling Stones studies, which is set to develop.’ Philippe Gonin, Revue de musicologie
Product details
September 2019Adobe eBook Reader
9781108636698
0 pages
16 b/w illus. 7 tables
This ISBN is for an eBook version which is distributed on our behalf by a third party.
Table of Contents
- Part I. Albums, Songs, Players, and the Core Repertory of the Rolling Stones:
- 1. The Rolling Stones: albums and singles, 1963–1974 John Covach
- 2. Guitar slingers and hired guns: the musicians of The Rolling Stones Bill Janovitz
- 3. The Rolling Stones in 1968: in defense of lingering psychedelia John Covach
- 4. Exile, America, and the theater of The Rolling Stones, 1968–1972 Victor Coelho
- 5. Post exile: The Rolling Stones in a disco-punk world, 1975–1983 Paul Harris
- Part II. Sound, Roots, and Brian Jones:
- 6. The Rolling Stones's sound: at the crossroads of roots and technology Ralph Maier
- 7. Driving Stones country in five songs Daniel Beller-Mckenna
- 8. A 'gust of fresh air': Brian Jones, assemblage, and world music Brita Renée Heimarck
- Part III. Stones on Film, Revival, and Fans:
- 9. Shine a light: The Rolling Stones on film Michael Brendan Baker
- 10. Second life and the dynamics of revival: The Stones after 1989 Victor Coelho
- Afterword: being a Rolling Stones fan is not a choice but a state of mind Philippe Puicouyoul.
