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The Cambridge Companion to Jazz

The Cambridge Companion to Jazz

The Cambridge Companion to Jazz

Mervyn Cooke, University of Nottingham
David Horn, University of Liverpool
October 2012
This ISBN is for an eBook version which is distributed on our behalf by a third party.
Adobe eBook Reader
9781139797108

    The vibrant world of jazz may be viewed from many angles, from social and cultural history to music analysis, from economics to ethnography. It is challenging and exciting territory. This volume of nineteen specially commissioned essays offers informed and accessible guidance to the challenge, taking the reader through a series of five basic subject areas--locating jazz historically and geographically; defining jazz as musical and cultural practice; jazz in performance; the uses of jazz for audiences, markets, education and for other art forms; and the study of jazz.

    • Considers jazz in a wide range of contexts - historical, social, musical, racial
    • Includes basic technical material for music students and those new to the subject
    • Detailed Chronology provides a potted history of jazz and a Personalia informs on fifty of the best-known figures in the jazz world

    Reviews & endorsements

    "...an excellent resource for the serious student as well as the music educator interested in learning more about the subtleties of jazz. ...provides an outstanding format for reflecting the complexities and differing viewpoints prevalent in jazz..." Music Educators Journal

    "a refreshing and significant addition to the jazz literature.... Highly recommended." Choice

    "... [part of] new essentials for public, academic, and music libraries, and they would enhance high school libraries as well." Against the Grain

    See more reviews

    Product details

    October 2012
    Adobe eBook Reader
    9781139797108
    0 pages
    0kg
    9 b/w illus. 15 music examples
    This ISBN is for an eBook version which is distributed on our behalf by a third party.

    Table of Contents

    • Chronology of jazz
    • The word 'jazz' Krin Gabbard
    • Part I. Jazz Times:
    • 1. The identity of jazz David Horn
    • 2. The jazz diaspora Bruce Johnson
    • 3. The jazz audience Jed Resula
    • 4. Jazz and dance Robert Crease
    • Part II. Jazz Practices:
    • 5. Jazz as musical practice Travis Jackson
    • 6. Jazz as cultural practice Bruce Johnson
    • 7. Jazz improvization Ingrid Monson
    • 8. Spontaneity and organization Pete Martin
    • 9. Jazz among the classics, and the case of Duke Ellington Mervyn Cooke
    • Part III. Jazz Changes:
    • 10. 1959: the beginning of beyond Darius Brubeck
    • 11. Free jazz and the avant-garde Jeff Pressing
    • 12. Fusions and crossovers Stuart Nicholson
    • Part IV. Soundings:
    • 13. Learning jazz, teaching jazz David Aka
    • 14. History and myth: the problem of early jazz David Sagar
    • 15. Analysing jazz Thomas Owens
    • Part V. Jazz Takes:
    • 16. Valuing jazz Robert Walser
    • 17. The jazz business Dave Laing
    • 18. Images of jazz Krin Gabbard
    • Personalia.
      Contributors
    • Krin Gabbard, David Horn, Bruce Johnson, Jed Rasula, Robert Crease, Travis Jackson, Ingrid Monson, Pete Martin, Mervyn Cooke, Darius Brubeck, Jeff Pressing, Stuart Nicholson, David Ake, David Sagar, Thomas Owens, Robert Walser, Dave Laing

    • Editors
    • Mervyn Cooke , University of Nottingham

      Mervyn Cooke is Professor of Music at the University of Nottingham. He is the author of Jazz, The Chronicle of Jazz, and Britten and the Far East; co-author of Benjamin Britten: Billy Budd; editor of The Cambridge Companion to Benjamin Britten (1999) and The Cambridge Companion to Twentieth-Century Opera (forthcoming) and is currently writing a history of film music for Cambridge University Press. He is also a composer and pianist.

    • David Horn , University of Liverpool

      David Horn is Director of the Institute of Popular Music at the University of Liverpool. He was a founding editor of the journal Popular Music (Cambridge University Press) and is author of two bibliographies of American music. He is currently joint managing editor of The Encyclopedia of Popular Music of the World.