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Contemporary Russian Satire

Contemporary Russian Satire

Contemporary Russian Satire

A Genre Study
Karen L. Ryan-Hayes, University of Virginia
January 1996
Available
Hardback
9780521475150

    This wide-ranging 1996 study presents an examination of the extraordinary diversity and range of satirical writing in Russian literature and will be of interest not only to Slavicists but also to those interested in genre theory. Through the close analysis of seminal satirical texts written by five Russian and émigré authors in the 1970s and 1980s, Karen Ryan-Hayes demonstrates that formal and thematic parody is pervasive and that it provides additional levels of meaning in contemporary Russian satire. Each work under examination is placed within the wider European literary context as well as within the Russian tradition and is representative of a different sub-genre of satire. The author focuses on a variety of these genres and modes and offers practical criticism on each text. The writers under discussion have enjoyed a positive reception in the West and their works demonstrate the variety and vitality of Russian and Soviet satire.

    • A wide-ranging study that will be of interest not only to Slavicists but also to other literary scholars
    • Russian satire is commanding growing interest among researchers and in student courses
    • Provides the historical and biographical background of five prominent Russian writers who have enjoyed positive receptions in the West

    Reviews & endorsements

    "I highly recommend this book for advanced undergraduate courses in Russian and world literature, and also for specialists." Valerie Z. Nollan, The Russian Review

    See more reviews

    Product details

    January 1996
    Hardback
    9780521475150
    304 pages
    216 × 140 × 21 mm
    0.54kg
    Available

    Table of Contents

    • Acknowledgements
    • Note on the translation
    • Introduction
    • 1. Iskander's transparent allegory: Rabbits and Boa Constrictors
    • 2. Beyond picaresque: Erofeev's Moscow-Petushki
    • 3. Satire and the autobiographical mode: Limonov's It's Me, Eddie
    • 4. The family chronicle revisited: Dovlatov's Ours
    • 5. Dystopia redux: Voinovich and Moscow 2042
    • Conclusions
    • Notes
    • Select bibliography
    • Index.
      Author
    • Karen L. Ryan-Hayes , University of Virginia