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Modernism and the Ideology of History

Modernism and the Ideology of History

Modernism and the Ideology of History

Literature, Politics, and the Past
Louise Blakeney Williams, University of Connecticut
August 2002
Available
Hardback
9780521814997

    Louise Williams explores the nature of historical memory in the work of five major Modernists: Yeats, Pound, Hulme, Ford and Lawrence. These Modernists, Williams argues, started their careers with historical assumptions derived from the nineteenth century. But their views on the universal structure of history, on the abandonment of progress and the adoption of a cyclical sense of the past, were the result of important conflicts and changes within the Modernist period. Williams focuses on the period immediately before World War I, and shows in detail how Modernism developed and why it is considered a unique intellectual movement. She also revisits the theory that the Edwardian age was a difficult period of transition to the modern world. Finally, she illuminates the contribution of non-Western culture to the literature and thought of the period. This wide-ranging and inter-disciplinary study is essential reading for literary and cultural historians of the modernist period.

    • A vivid and compelling discussion of the nature of historical memory in the work of Yeats, Pound, Eliot, Ford and Lawrence
    • Broad-ranging study covering five leading writers
    • This study will appeal to historians as well as literary critics

    Reviews & endorsements

    "...Williams offers an attractive thesis constructed around masses of primary materials that make for fascinating reading." English Literature in Transition 1880-1920

    "Modernisn and the Ideology of History is a valuable contribution to modernist studies and to British literary history." Journal of Midwest Modern Language Association

    See more reviews

    Product details

    August 2002
    Hardback
    9780521814997
    276 pages
    237 × 161 × 21 mm
    0.58kg
    Available

    Table of Contents

    • Acknowledgements
    • Abbreviations
    • Introduction
    • 1. 'Immaterial pleasure houses': the initial aesthetic dilemma
    • 2. 'A more dream-heavy hour': medievalist and progressive beginnings
    • 3. 'Pedantry and hysteria': contemporary political problems
    • 4. 'A certain discipline': radical conservative solutions
    • 5. 'A particularly lively wheel': cyclic views emerge
    • 6. 'Our own image': the example of Asian and non-Western cultures
    • 7. In 'the grip of the … vortex': the proof of Post-Impressionist art
    • 8. The 'cycle dance': cyclic history arrives
    • 9. 'The nightmare' and beyond: World War I and mature cyclic theories
    • Conclusion
    • Notes
    • Index.
      Author
    • Louise Blakeney Williams , University of Connecticut