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The Cambridge Companion to the American Short Story

The Cambridge Companion to the American Short Story

The Cambridge Companion to the American Short Story

Michael J. Collins, King's College London
Gavin Jones, Stanford University
May 2023
Available
Hardback
9781009292818

    This Companion offers students and scholars a comprehensive introduction to the development and the diversity of the American short story as a literary form from its origins in the eighteenth century to the present day. Rather than define what the short story is as a genre, or defend its importance in comparison with the novel, this Companion seeks to understand what the short story does – how it moves through national space, how it is always related to other genres and media, and how its inherent mobility responds to the literary marketplace and resonates with key critical themes in contemporary literary studies. The chapters offer authoritative introductions and reinterpretations of a literary form that has re-emerged as a major force in the twenty-first-century public sphere dominated by the Internet.

    • Offers students and scholars a comprehensive introduction to the history of the short story, looking at key figures and works (as well as neglected examples) from across 400 years of American literature
    • Provides new avenues and routes to consideration of the short story as a major literary form in America, and accounts for its recent reemergence in the public sphere in the 21st century
    • Presents new, original research by leading scholars in the field of American Literature on the short story

    Reviews & endorsements

    ‘… reminds the reader why a century of short story writing has shaped American literature from Edgar Allen Poe to Teju Cole. … Highly recommended.’ K. Gale, Choice

    See more reviews

    Product details

    May 2023
    Hardback
    9781009292818
    350 pages
    235 × 157 × 29 mm
    0.75kg
    Available

    Table of Contents

    • Part I. Contexts:
    • 1. Transatlantic print culture and the emergence of short narratives Oliver Scheiding
    • 2. The short story and the early magazine Jared Gardner
    • 3. The short story fad: gender, pleasure, and commodity culture in late-nineteenth century magazines Brad Evans
    • 4. The best of the best: anthologies, prizes, and the short story canon Alexander Manshel
    • 5. The story of a semester: short fiction and the program era Loren Glass
    • 6. The short story in the age of the internet Simone Murray
    • Part II. Histories:
    • 7. The war story Cody Marrs
    • 8. Narratives from below: working class short fiction Owen Clayton
    • 9. The short story and the popular imagination: pulp and crime Will Norman
    • 10. Love what you do: neoliberalism, emotional labor, and the short story as a service Lee Konstantinou
    • 11. Local color to multiculturalism: minority writers in the short story and ethnographic markets Long Le-Khac
    • Part III. People and Places:
    • 12. Native American short stories Hertha D. Sweet Wong
    • 13. African American short fiction: from reform to renaissance Amina Gautier
    • 14. Little postage stamps: the short story, the American south, and the world Coleman Hutchison
    • 15. Regional stories and the environmental imagination Sylvan Goldberg
    • 16. Concrete illuminations: the short story and/as urban revolution Myka Tucker-Abramson
    • Part IV. Theories:
    • 17. Short fiction, language learning, and innocent comedy Gabriella Safran
    • 18. The technology of the short story: from sci fi to cli fi Shelley Streeby
    • 19. Homelessness: the short story and other media Gavin Jones
    • 20. The human and the animal: toward posthumanist short fiction Michael Lundblad
    • 21. The end of the story: grammar, gender, and time in the contemporary short story Lola Boorman
    • 22. The affordances of mere length: computational approaches to short story analysis Mark Algee-Hewitt, Anna Mukamal and J. D. Porter.
      Contributors
    • Oliver Scheiding, Jared Gardner, Brad Evans, Alexander Manshel, Loren Glass, Simone Murray, Cody Marrs, Owen Clayton, Will Norman, Lee Konstantinou, Long Le-Khac, Hertha D. Sweet Wong, Amina Gautier, Coleman Hutchison, Sylvan Goldberg, Myka Tucker-Abramson, Gabriella Safran, Shelley Streeby, Gavin Jones, Michael Lundblad, Lola Boorman, Mark Algee-Hewitt, Anna Mukamal, J. D. Porter

    • Editors
    • Michael J. Collins , King's College London

      Michael J. Collins is Senior Lecturer in 20th Century American Literature and Culture at King's College London where he teaches nineteenth- and twentieth-century fiction, life writing, and music. He is the author of The Drama of the American Short Story, 1800–1865 (Michigan, 2016) and Exoteric Modernisms: Progressive Era Literature and the Aesthetics of Everyday Life (Edinburgh, forthcoming).

    • Gavin Jones , Stanford University

      Gavin Jones is the Frederick P. Rehmus Family Professor of the Humanities at Stanford University, where he has taught American literature since 1999. He is the author of four monographs, most recently Failure and the American Writer: A Literary History (Cambridge, 2014), and Reclaiming John Steinbeck: Writing for the Future of Humanity (Cambridge, 2021).