Recycled Culture in Contemporary Art and Film
Recycled Culture in Contemporary Art and Film
The Uses of Nostalgia
Vera Dika, University of California, Los Angeles and University of Southern California
June 2003
Available
Paperback
9780521016315
$45.00
USDPaperback
USD
Hardback
Vera Dika explores the reuse of images, plots and genres of film history from a broad range of critical perspectives. Examining works of art and film that resist the pull of the past, Dika provides an in-depth analysis within a variety of media, including performance, photography, Punk film, and examples from mainstream American and European cinema. Her study analyzes avant-garde art work within the context of contemporary mainstream film practice, as well as in relationship to their historical moment.
- Examines the effect of recycling narrative and image on film
- Explores the crossing boundaries between avantgarde art and mainstream film
- Uses well-known films as case studies
Product details
June 2003Paperback
9780521016315
254 pages
247 × 133 × 16 mm
0.36kg
35 b/w illus.
Available
Table of Contents
- 1. The returned image
- 2. Art and film: New York City in the late 1970s: Jack Goldstein, Robert Longo, Cindy Sherman, Amos Poe
- 3. Generic returns - the dream has ended: Badlands, Texas Chainsaw Massacre, The Shootist, The Last Waltz
- 4. Re-considering the nostalgia film: American Graffiti, The Conformist, Rocky Horror Picture Show
- 5. A return to the 1950s - the dangers in Utopia: Grease, Last Exit to Brooklyn
- 6. Coppola and Scorsese - authorial views: Apocalypse Now, One From the Heart, The Last Temptation of Christ
- 7. To destroy the sign: Gus Van Sant's Psycho, Geronimo, JFK.
