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Martin Scorsese's Raging Bull

Martin Scorsese's Raging Bull

Martin Scorsese's Raging Bull

Kevin J. Hayes, University of Central Oklahoma
May 2005
This ISBN is for an eBook version which is distributed on our behalf by a third party.
Adobe eBook Reader
9780511108785

    Raging Bull (1980) represents American film making at its best. Since its initial release, the film has been called the greatest film of the 1980s, the greatest boxing film ever made, the greatest sports film ever made, and, indeed, one of the greatest films of all time. Raging Bull: A Cambridge Film Handbook presents the fullest critical appreciation of Scorsese's film available. The introduction tells the story of how the film came about, examining its inspirations and positioning Raging Bull within the history of cinema. Subsequent chapters, each written by contributors from different disciplines - film studies, literary history, theater history - discuss the film from a variety of perspectives. Though primarily directed toward undergraduate and graduate film courses, this collection should enhance appreciation of Raging Bull for all readers. Contributors to this volume have been issued a challenge: to write chapters that contain fundamental information for students, to include new information and ideas for seasoned film scholars, and to write in a jargon-free style that all readers can appreciate.

    • Original essays from film experts
    • Written in a jargon-free style
    • Variety of viewpoints, accessible to all readers

    Product details

    May 2005
    Adobe eBook Reader
    9780511108785
    0 pages
    0kg
    18 b/w illus.
    This ISBN is for an eBook version which is distributed on our behalf by a third party.

    Table of Contents

    • Introduction: the heritage and legacy of Raging Bull Kevin J. Hayes
    • 1. Art and genre in Raging Bull Leger Grindon
    • 2. Visual absurdity in Raging Bull Todd Berliner
    • 3. Raging Bull and the idea of performance Michael Peterson
    • 4. Women in Raging Bull: Scorsese's use of determinist, objective, and subjective techniques Peggy McCormack
    • 5. My victims, my melancholia: Raging Bull and Vincente Minnelli's The Bad and the Beautiful Mark Nicholls.
      Contributors
    • Kevin J. Hayes, Leger Grindon, Todd Berliner, Michael Peterson, Peggy McCormack, Mark Nicholls

    • Editor
    • Kevin J. Hayes , University of Central Oklahoma