Cavell's Must We Mean What We Say? at 50
Cavell's <i>Must We Mean What We Say?</i> at 50
Juliet Floyd, Boston University
Sandra Laugier, Université de Paris I Panthéon Sorbonne
In 1969 Stanley Cavell's Must We Mean What We Say? revolutionized philosophy of ordinary language, aesthetics, ethics, tragedy, literature, music, art criticism, and modernism. This volume of new essays offers a multi-faceted exploration of Cavell's first and most important book, fifty years after its publication. The key subjects which animate Cavell's book are explored in detail: ordinary language, aesthetics, modernism, skepticism, forms of life, philosophy and literature, tragedy and the self, the questions of voice and audience, jazz and sound, Wittgenstein, Austin, Beckett, Kierkegaard, Shakespeare. The essays make Cavell's complex style and sometimes difficult thought accessible to a new generation of students and scholars. They offer a way into Cavell's unique philosophical voice, conveying its seminal importance as an intellectual intervention in American thought and culture, and showing how its philosophical radicality remains of lasting significance for contemporary philosophy, American philosophy, literary studies, and cultural studies.
- Makes Cavell's difficult style and thought accessible and clear for a wide range of readers
- Places his work in its philosophical and historical context and shows its present relevance
- Includes contributions from the major scholars of Cavell studies from a range of disciplines
Product details
April 2024Paperback
9781009096546
259 pages
231 × 151 × 15 mm
0.39kg
Available
Table of Contents
- Introduction: Part I. Ordinary Language and its Philosophy:
- 1. Must we mean what we say? and ordinary language philosophy Sandra Laugier
- 2. Revolutionary uses of Wittgenstein in must we mean what we say? Juliet Floyd
- 3. Actions and their elaboration Jean-Philippe Narboux
- 4., Faces of the ordinary Eli Friedlander
- Part II. Aesthetics and the Modern:
- 5. Language-games and 'forms of life': Cavell's reading of Wittgenstein and its relevance to literary studies Greg Chase
- 6. Philosophic and aesthetic appeal: Stanley Cavell on the irreducibility of the first person in aesthetics and in philosophy Arata Hamawaki
- 7. Reading into it or hearing it out? Cavell on modernism and the art critic's hermeneutical risk Robert Engelman
- 8. Must we sing what we mean?: 'Music discomposed' and philosophy composed Vincent Colapietro
- Part III. Tragedy and the Self:
- 9. Philosophy as autobiography: From must we mean what we say? to little did I know Naoko Saito
- 10. The finer weapon: Cavell, philosophy and praise Victor J. Krebs
- 11. On Cavell's on Kierkegaard's on authority and revelation-with constant reference to Austen Kelly Jolley
- 12.Tragic Implication Sarah Beckwith
- 13. Gored states and theatrical guises Paul Standis.
