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The Cambridge Companion to Debussy

The Cambridge Companion to Debussy

The Cambridge Companion to Debussy

Simon Trezise, Trinity College, Dublin
July 2003
Available
Paperback
9780521654784
$37.00
USD
Paperback
USD
eBook

    Often considered the father of twentieth-century music, Debussy was a visionary whose influence is still felt. This Companion offers new insights into Debussy's character, his environment and his music, including challenging views of the roles of nature and eroticism in his life and music. While works in all genres are discussed, they are considered through the themes of sonority, rhythm, tonality and form, with closing chapters considering the performance and reception of his music in the first years of the new century.

    • A comprehensive view of the composer and his work
    • Contains insights into the man and his musical techniques
    • An accessible book for students and music lovers

    Reviews & endorsements

    "...offers something for Debussy enthusiasts old and new. Beyond this, the wide range of cultural and analytical topics, and their relevance to twentieth-century music history generally, should attract the attention of a wide audience." NOTES

    "For those who have been enchanted and intrigued by Debussy's music, this book will only deepen their fascination with his work." Music Educators Journal, Doug Martin

    See more reviews

    Product details

    February 2005
    Adobe eBook Reader
    9780511074530
    0 pages
    0kg
    48 music examples
    This ISBN is for an eBook version which is distributed on our behalf by a third party.

    Table of Contents

    • List of contributors
    • Acknowledgements
    • Chronology of Debussy's life and works
    • Note on the text
    • Introduction Simon Trezise
    • Part I. Man, Musician and Culture:
    • 1. Debussy the man Robert Orledge
    • 2. Debussy's Parisian affiliations Barbara L. Kelly
    • 3. Debussy as musician and critic Deirdre Donnellon
    • Part II. Musical Explorations:
    • 4. Debussy on stage David Grayson
    • 5. The prosaic Debussy Roger Nichols
    • 6. Debussy and expression Nigel Simeone
    • 7. Exploring the erotic in Debussy's music Julie McQuinn
    • 8. Debussy and nature Caroline Potter
    • Part III. Musical Techniques:
    • 9. Debussy's tonality: a formal perspective Boyd Pomeroy
    • 10. The Debussy sound: colour, texture, gesture Mark DeVoto
    • 11. Music's inner dance: form, pacing and complexity in Debussy's music Richard S. Parks
    • 12. Debussy's 'rhythmicised time' Simon Trezise
    • Part IV. Performance and Assessment:
    • 13. Debussy in performance Charles Timbrell
    • 14. Debussy now Arnold Whittall
    • Notes
    • Select bibliography
    • Index.
      Contributors
    • Simon Trezise, Robert Orledge, Barbara L. Kelly, Deirdre Donnellon, David Grayson, Roger Nichols, Nigel Simeone, Julie McQuinn, Caroline Potter, Boyd Pomeroy, Mark DeVoto, Richard S. Parks, Charles Timbrell, Arnold Whittall

    • Editor
    • Simon Trezise , Trinity College, Dublin

      Simon Trezise is a Lecturer in Music at Trinity College, Dublin. He is the author of Debussy : La mer in the series Cambridge Music Handbooks and has written widely on French music and also on Schoenberg.