The Viennese Ballroom in the Age of Beethoven

The repertoire of the early Viennese ballroom was highly influential in the broader histories of both social dance and music in nineteenth-century Europe. Yet music scholarship has traditionally paid little attention to ballroom dance music before the era of the Strauss dynasty, with the exception of a handful of dances by Haydn, Mozart and Beethoven. This book positions Viennese social dances in their specific performing contexts and investigates the wider repertoire of the Viennese ballroom in the decades around 1800, most of which stems from dozens of non-canonical composers. Close examination of this material yields new insights into the social contexts associated with familiar dance types, and reveals that the ballroom repertoire of this period connected with virtually every aspect of Viennese musical life, from opera and concert music to the emerging category of entertainment music that was later exemplified by the waltzes of Lanner and Strauss.

• Enriches our understanding of Viennese classical music by bringing to light forgotten dance compositions from the Viennese ballroom at the turn of the nineteenth century
• Examines the specifically Viennese performance contexts of familiar social dances, challenging current assumptions about the way contemporary class distinctions played out in ballroom dance culture
• Positions Viennese social dance culture in the broader context of Viennese musical life, highlighting overlaps between areas usually considered separately