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The Cambridge Handbook of Literature and Plants

The Cambridge Handbook of Literature and Plants

The Cambridge Handbook of Literature and Plants

Bonnie Lander Johnson, University of Cambridge
February 2025
Available
Hardback
9781108837736
$120.00
USD
Hardback
USD
eBook

    The first of its kind, this wide-ranging, accessible handbook covers literary engagement with plants in over two thousand years of writing from around the world. It includes within its broad ambit historical periods of Latin, Norse and Anglophone plant literatures, prominent plant genres, and the literatures of major global regions. Chapters explore the history of literary thinking about plants as creatures that do or do not resemble us; our use of plants to negotiate geo-political conflict; the ethical dimension of plant sensibilities; the moral dimension of our desire to engage aesthetically with plants; the ways in which human-plant relations have been used to make and unmake national and ethnic identities; the role of plant-writing in the development of literary form; and the ways we have used plants to navigate modernity's cultural and intellectual shift from theological engagement with the created world to the discourses of modern science.

    • A wide-ranging, interdisciplinary account containing insight for historians and literary scholars from a broad range of backgrounds
    • Valuable as a resource for both research and pedagogy, providing broad geographical and chronological coverage
    • Unique in structure, with sections that focus on particular plant species of long-standing relevance to specific global regions, as well as histories focused on plants as both cultural, political and ethnic objects and as literary tropes

    Product details

    February 2025
    Hardback
    9781108837736
    406 pages
    229 × 152 × 24 mm
    0.765kg
    Available

    Table of Contents

    • Part I. Historical Periods:
    • 1. The ancient world: us and them Rebecca Armstrong
    • 2. Inspective fruits: plants in early Christian literature Clare Lapraik Guest
    • 3. Plant lives in the literatures of medieval England Michael Bintley
    • 4. Plant-lore in the botanical renaissance: grafting myth and science Todd Borlik
    • 5. Literary plants, 18th – 19th century Stephen Bending
    • 6. Portraits of plants, 19th – 20th century Claudia Tobin
    • Part II. Anglophone Literary Forms:
    • 7. Useful books: herbals and gardening manuals Jessica M. Rosenberg
    • 8. Shakespeare's plants then and now Bonnie Lander Johnson
    • 9. Metaphysical subjects and cavalier objects in 17th century plant lyric Robert N. Watson
    • 10. Speculative fiction and the contemporary novel T. S. Miller
    • 11. Aftermath: thinking and healing with grass in contemporary poetry Holly Corfield Carr
    • Part III. Global Regions:
    • 12. Plants in the French and Francophone literary tradition Giulia Pacini
    • 13. Early American plant writing Michael Ziser
    • 14. Plants in the literatures of Latin America and the Caribbean Lesley Wylie
    • 15. Plants in the literatures of Australia John Charles Ryan
    • 16. Plants in the literatures of Southern Africa Dan Wylie
    • 17. Lotus: an un-still life in the literatures of China Xiaofei Tian
    • 18. Plants in the literatures of India Sourit Bhattacharya
    • 19. Tree-rings of Middle Eastern poetry Efe Khayyat.
      Contributors
    • Rebecca Armstrong, Clare Lapraik Guest, Michael Bintley, Todd Borlik, Stephen Bending, Claudia Tobin, Jessica M. Rosenberg, Bonnie Lander Johnson, Robert N. Watson, T. S. Miller, Holly Corfield Carr, Giulia Pacini, Michael Ziser, Lesley Wylie, John Charles Ryan, Dan Wylie. Xiaofei Tian, Sourit Bhattacharya, Efe Khayyat

    • Editor
    • Bonnie Lander Johnson , University of Cambridge

      Bonnie Lander Johnson is Fellow and Associate Professor at Downing College, University of Cambridge. Her academic books include Chastity in Early Stuart Literature and Culture (Cambridge University Press, 2015), Blood Matters (2018) and Botanical Culture and Popular Belief in Shakespeare's England (Cambridge University Press, 2024). She also writes fiction and non-fiction about early modernity and our changing relationship to the natural world.