Mimicry and Display in Victorian Literary Culture
Mimicry and Display in Victorian Literary Culture
Revealing the web of mutual influences between nineteenth-century scientific and cultural discourses of appearance, Mimicry and Display in Victorian Literary Culture argues that Victorian science and culture biologized appearance, reimagining imitation, concealment and self-presentation as evolutionary adaptations. Exploring how studies of animal crypsis and visibility drew on artistic theory and techniques to reconceptualise nature as a realm of signs and interpretation, Abberley shows that in turn, this science complicated religious views of nature as a text of divine meanings, inspiring literary authors to rethink human appearances and perceptions through a Darwinian lens. Providing fresh insights into writers from Alfred Russel Wallace and Thomas Hardy to Oscar Wilde and Charlotte Perkins Gilman, Abberley reveals how the biology of appearance generated new understandings of deception, identity and creativity; reacted upon narrative forms such as crime fiction and the pastoral; and infused the rhetoric of cultural criticism and political activism.
- Provides a fresh perspective on theoretical discussions of ecocriticism and posthumanism in Victorian literature
- Combines the sources and methods of history of science with literary criticism to generate new insights into the texts of authors including Thomas Hardy, Oscar Wilde and Charlotte Perkins Gilman
- Draws on close textual analysis to discover the myriad mutual influences between the biology of adaptive appearance and literary culture, and wider cultural discourses of deception, mimicry, identity and creativity
- Features original illustrations
Reviews & endorsements
‘Mimicry and Display does something rather wonderful: while you’ll read Victorian and Edwardian literature from a new perspective, you’ll also never see nature in quite the same way again.’ Catherine Charlwood, British Association for Victorian Studies Newsletter
‘This volume provides a cultural history of crypsis, an evolutionary phenomenon in which organisms protect themselves by modifying their appearance to hide within an environment or copy the features of more dominant organisms. Recommended.’ M. C. Cohen, Choice
‘Mimicry and Display fits nicely within the Cambridge Studies in Nineteenth-Century Literature and Culture series, which has done so much to expand the range of high-quality scholarship on topics related to science and nature, technology, environment, and medicine. The chapters on Allen, Hardy, and late-century cultural criticism are especially good, and the book displays how widely and deeply scientific accounts of mimicry and camouflage in the natural world reverberated through Victorian literary culture.’ Jonathan Smith, Victorian Studies
Product details
July 2020Hardback
9781108477598
308 pages
234 × 160 × 20 mm
0.61kg
10 b/w illus.
Available
Table of Contents
- Introduction. Adaptive appearance in nineteenth-century culture
- 1. Seeing things: art, nature and science in representations of crypsis
- 2. Divine displays: Charles Kingsley, hermeneutic natural theology and the problem of adaptive appearance
- 3. Criminal chameleons: the evolution of deceit in Grant Allen's fiction
- 4. Darwin's little ironies: evolution and the ethics of appearance in Thomas Hardy's fiction
- 5. Blending in and standing out I: crypsis versus individualism in fin-de-siècle cultural criticism
- 6. Blending in and standing out II: mimicry, display and identity politics in the literary activism of Israel Zangwill and Charlotte Perkins Gilman
- Conclusion. Adaptive appearance and cultural theory.
