Liturgy, Ritual, and Secularization in Nineteenth-Century British Literature

Simultaneously spiritual and material, liturgy incarnates unseen realities in concrete forms – bread, wine, water, the architectural arrangement of churches and temples. Nineteenth-century writers were fascinated with liturgy. In this book Joseph McQueen shows the ways in which Romantic and Victorian writers, from Wordsworth to Wilde, regardless of their own personal beliefs, made use of the power of the liturgy in their work. In modernity, according to recent theories of secularization, the natural opposes the supernatural, reason (or science) opposes faith, and the material opposes the spiritual. Yet many nineteenth-century writers are manifestly fascinated by how liturgy and ritual undo these typically modern divides in order to reinvest material reality with spiritual meaning, reimagine the human as malleable rather than mechanical, and enflesh otherwise abstract ethical commitments. McQueen upends the dominant view of this period as one of scepticism and secularisation, paving the way for surprising new avenues of research.

• Makes secularization theory – and recent developments in the field – more accessible to literary scholars, showing how it can be used to enrich literary studies
• Reveals the religious interests (specifically the interest in religious ritual) of important Romantic and Victorian writers, challenging the dominant notion of the nineteenth century as an age merely of religious doubt
• Takes an interdisciplinary approach in order to situate the religious interests of nineteenth-century writers in the longer history of philosophical and theological ideas