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Callimachus in Context

Callimachus in Context

Callimachus in Context

From Plato to the Augustan Poets
Benjamin Acosta-Hughes, Ohio State University
Susan A. Stephens, Stanford University, California
January 2012
Available
Hardback
9781107008571

    Scholarly reception has bequeathed two Callimachuses: the Roman version is a poet of elegant non-heroic poetry (usually erotic elegy), represented by a handful of intertexts with a recurring set of images - slender Muse, instructing divinity, small voice, pure waters; the Greek version emphasizes a learned scholar who includes literary criticism within his poetry, an encomiast of the Ptolemies, a poet of the book whose narratives are often understood as metapoetic. This study aims to situate these Callimachuses within a series of interlocking historical and intellectual contexts in order better to understand how they arose. In this narrative of his poetics and poetic reception four main sources of creative opportunism are identified: Callimachus' reactions to philosophers and literary critics as arbiters of poetic authority, the potential of the text as a venue for performance, awareness of Alexandria as a new place, and finally, his attraction for Roman poets.

    • Radical new treatment of one of the most important authors of Greco-Roman antiquity
    • Treats Callimachus in the context of Ptolemaic geopolitics
    • Reconsiders Callimachus' reception at Rome

    Product details

    January 2012
    Hardback
    9781107008571
    344 pages
    235 × 160 × 21 mm
    0.68kg
    4 maps
    Available

    Table of Contents

    • Introduction
    • 1. Literary quarrels
    • 2. Performing the text
    • 3. Changing places
    • 4. In my end is my beginning
    • Conclusions
    • Appendix: the Aetia.
      Authors
    • Benjamin Acosta-Hughes , Ohio State University

      Benjamin Acosta-Hughes is Professor of Greek and Latin at Ohio State University. He is the author of Polyeideia: The Iambi of Callimachus and the Archaic Iambic Tradition (2002), of Arion's Lyre: Archaic Lyric into Hellenistic Poetry (2010) and co-editor, with Manuel Baumbach and Elizabeth Kosmetatou, of Labored in Papyrus Leaves: Perspectives on an Epigram Collection Attributed to Posidippus (P.Mil.Vogl. VIII 309). He is also co-editor, with Luigi Lehnus and Susan Stephens, of the forthcoming Brill's Companion to Callimachus.

    • Susan A. Stephens , Stanford University, California

      Susan A. Stephens is Sara Hart Kimball Professor in the Humanities and Professor of Classics at Stanford University. She is author of Seeing Double: Intercultural Poetics in Ptolemaic Alexandria (2003) a study that has transformed scholarly thinking about Egypt as present in Hellenistic poetry. Trained as a papyrologist, she co-edited, with the late Jack Winkler, Ancient Greek Novels: The Fragments (1995). She is the author of numerous articles on Hellenistic poetry and is co-editor, with Benjamin Acosta-Hughes and Luigi Lehnus, of the forthcoming Brill's Companion to Callimachus. She is further co-editor, with Phiroze Vasunia, of the 2010 collection Classics and National Cultures.