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Molière in Context

Molière in Context

Molière in Context

Jan Clarke, University of Durham
November 2022
This ISBN is for an eBook version which is distributed on our behalf by a third party.
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9781108662529
$117.00
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    The definitive guide to Molière's world and his afterlife, this is an accessible contextual guide for academics, undergraduates and theatre professionals alike. Interdisciplinary and diverse in scope, each chapter offers a different perspective on the social, cultural, intellectual, and theatrical environment within which Molière operated, as well as demonstrating his subsequent impact both within France and across the world. Offering fresh insight for those working in the fields of French Studies, Theatre and Performance Studies and French History, Molière in Context is an exceptional tribute to the premier French dramatist on the 400th anniversary of his birth.

    • Includes work from a wide range of Molière scholars from France, the US and the UK, many of whom appear in English here for the first time
    • Covers a huge range of topics related to the conditions within which Molière functioned and the influences that operated on him, offering an extremely thorough, expert-led survey of social, intellectual, and theatrical life in seventeenth-century France, is accessible to academics as much as to enthusiasts
    • Answers the question of how Molière became the premier French dramatist and symbol of French national genius, showing how his influence developed over time and spread worldwide

    Product details

    November 2022
    Adobe eBook Reader
    9781108662529
    0 pages
    This ISBN is for an eBook version which is distributed on our behalf by a third party.

    Table of Contents

    • Biographical preface Georges Forestier
    • Part 1. Socio-political Context:
    • 1. A Bourgeois at court Mathieu da Vinhae
    • 2. The religious climate Julia Prest
    • 3. Medicine Valerie Worth-Stylianou
    • 4. Family law Janine Lanza
    • 5. Women Wendy Perkins
    • 6. Gender, masculinity and cross-dressing Joseph Harris
    • Part 2. Intellectual and Artistic Context:
    • 7. Philosophical influences Jean-Luc Robin
    • 8. Molière and classical theatre Michael Call
    • 9. The survival of medieval and renaissance professional practices Marie Bouhaïk-Gironès
    • 10. Commedia dell'arte Claude Bourqui
    • 11. The literary establishment Richard Maber
    • 12. Are the Précieuses only ridicules? Molière, salon culture and the shaping of France's collective memory Faith E. Beasley
    • Part 3. Theatrical Context (Paris):
    • 13. Molière's theatres in Paris Philippe Cornuaille
    • 14. Stage design in Paris Philippe Cornuaille
    • 15. Company administration Jan Clarke
    • 16. The theatre industry and cultures of consumption Sabine Chaouche
    • 17. Acting style Sabine Chaouche
    • Part 4. Theatrical Context (Court):
    • 18. Colbert, cultural policy and the propaganda of spectacle Georgia Cowart
    • 19. The decors of comedy-ballet: from the 'Songe de Vaux' to the 'Rêve de Versailles' Marie-Claude Canova-Green
    • 20. Court performances and their audiences Laura Naudeix
    • 21. Music Anne Piéjus
    • 22. The livrets of Molière's plays Marine Roussillon
    • Part 5. Reception and dissemination:
    • 23. Audience laughter Coline Piot
    • 24. The triumph of publicity Christophe Schuwey
    • 25. Molière and his critics: the 'Querelles' Jeanne-Marie Hostiou
    • 26. Molière and his publishers Michael Call
    • 27. Molière In print Michael Hawcroft
    • 28. Early modern English translations of Molière Suzanne Jones
    • Part 6. Afterlives:
    • 29. Molière at the hôtel Guénégaud and the Comédie-Française: the early years Jan Clarke
    • 30. Comedy after Molière Guy Spielmann
    • 31. Molière as national hero Mechele Leon
    • 32. Molière in performance: Twentieth- and twenty-first-century productions Noël Peacock
    • 33. Molière on the modern Anglophone stage Cédric Ploix
    • 34. Who and what is Molière? The film director's perspective Noël Peacock
    • 35. Molière in the Arab world Angela Daiana Langone
    • 36. Digital Molière Claude Bourqui.
      Contributors
    • Georges Forestier, Mathieu da Vinha, Julia Prest, Valerie Worth-Stylianou, Janine Lanza, Wendy Perkins, Joseph Harris, Jean-Luc Robin, Michael Call, Marie Bouhaïk-Gironès, Claude Bourqui, Richard Maber, Faith E. Beasley, Philippe Cornuaille, Jan Clarke, Sabine Chaouche, Georgia Cowart, Marie-Claude Canova-Green, Laura Naudeix, Anne Piéjus, Marine Roussillon, Coline Piot, Christophe Schuwey, Jeanne-Marie Hostiou, Michael Hawcroft, Suzanne Jones, Guy Spielmann, Mechele Leon, Noël Peacock, Cédric Ploix, Angela Daiana Langone

    • Editor
    • Jan Clarke , University of Durham

      Jan Clarke is Professor and Director of Studies in the School of Modern Languages and Cultures at Durham University. Her research centres on seventeenth-century theatre, with a particular focus on stage and theatre design, stage lighting, company organisation, and the role of women both on and off stage. As well as penning numerous chapters and articles, she published the first, three-volume history of the company that succeeded that of Molière, The Guénégaud Theatre in Paris (1998, 2001, 2007).