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The Cambridge Companion to Edward Albee

The Cambridge Companion to Edward Albee

The Cambridge Companion to Edward Albee

Stephen Bottoms, University of Leeds
August 2005
Available
Paperback
9780521542333

    Edward Albee, perhaps best known for his acclaimed and infamous 1960s drama Who's Afraid of Virginia Woolf?, is one of America's greatest living playwrights. Now in his seventies, he is still writing challenging, award-winning dramas. The essays in this collection provide a comprehensive, multi-faceted survey of Albee's career. Written in an engaging and accessible way, this book should appeal equally to students, scholars, and general readers.

    • Collection of essays from the most recognized and leading Albee scholars
    • Includes an original interview with Edward Albee exclusive to this volume
    • A comprehensive selection of essays covering the whole breadth of Albee's career up to and including The Goat (2002), and reassessing lesser-known plays as well as major works

    Reviews & endorsements

    '… highly recommended for all libraries acquiring materials on literature and the theatre in English.' Reference Reviews

    See more reviews

    Product details

    September 2005
    Hardback
    9780521834551
    292 pages
    236 × 159 × 26 mm
    0.6kg
    8 b/w illus.
    Available

    Table of Contents

    • List of illustrations
    • Notes on contributors
    • Acknowledgements
    • Notes on the text
    • Chronology
    • 1. Introduction: the man who had three lives Stephen Bottoms
    • 2. Albee's early one-act plays: 'A new American playwright from whom much is to be expected' Philip C. Kolin
    • 3. Who's Afraid of Virginia Woolf?: toward the marrow Matthew Roudané
    • 4. 'Withered age and stale custom': marriage, diminution, and sex in Tiny Alice, A Delicate Balance, and Finding the Sun John M. Clum
    • 5. Albee's 3 1/2: the Pulitzer plays Thomas P. Adler
    • 6. Albee's threnodies: Box-Mao-Box, All Over, The Lady from Dubuque, and Three Tall Women Brenda Murphy
    • 7. Minding the play: thought and feeling in Albee's 'hermetic' works Gerry McCarthy
    • 8. Albee's monster children: adaptations and confrontations Stephen Bottoms
    • 9. 'Better alert than numb': Albee since the eighties Christopher Bigsby
    • 10. Albee stages Marriage Play: cascading action, audience taste, and dramatic paradox Rakesh H. Solomon
    • 11. 'Playing the cloud circuit': Albee's vaudeville show Linda Ben-Zvi
    • 12. Albee's The Goat: rethinking tragedy for the 21st century J. Ellen Gainor
    • 13. 'Words
    • words … They're such a pleasure' (An Afterword) Ruby Cohn
    • 14. Borrowed time: an interview with Edward Albee Stephen Bottoms
    • Notes on further reading
    • Select bibliography
    • Index.
      Contributors
    • Stephen Bottoms, Philip C. Kolin, Matthew Roudané, John M. Clum, Thomas P. Adler, Brenda Murphy, Gerry McCarthy, Christopher Bigsby, Rakesh H. Solomon, Linda Ben-Zvi, J. Ellen Gainor, Ruby Cohn

    • Editor
    • Stephen Bottoms , University of Leeds

      Stephen Bottoms is Professor of Drama and Theatre Studies and Director of the Workshop Theatre, School of English, University of Leeds. He is the author of The Theatre of Sam Shepard: States of Crisis (Cambridge, 1998), Albee: Who's Afraid of Virginia Woolf? (Cambridge, 2000), and Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement. He has also edited Tennessee Williams' The Glass Menagerie, and has published articles on a wide variety of topics in a number of scholarly journals. In 2004 his article 'The Efficacy-Effeminacy Braid: Unpicking the Performance Studies/Theatre Studies Dichotomy' (Theatre Topics, September 2003), was nominated for the ATHE prize.